Sunday, 27 November 2011

Moved

This blog has moved to poodlesoup.tumblr.com.

Thursday, 3 November 2011

can your iPhone take a beating?


De Freddy de Kerpel onder de iPhone cases.

Sunday, 28 August 2011

Marital stress




'My husband sees naked ladies at work every day'.


Summer love

'De rest van de vakantie sliep ik in zijn tent.'

Fout is lekker


Why bad habits feel good.

Perfectie is passé.



Perfection is out of style.

Shoes


Candytown



For a touristic guide to cities renowed for their candy making.

Thursday, 9 June 2011

Marilou


For a brand new baby girl.

Monday, 2 May 2011

Wednesday, 16 March 2011

kamasutra.02



Some names have been altered, merely for my entertainment.

Thursday, 24 February 2011

Sunday, 23 January 2011

On a man's mind



'50 things you need to know about men', according to Thom Arisman, like "even if we try really hard to think about something else, we still think about sex."

Don't shoot the illustrator.

We're all animals


For an article about our inner animal.

Tuesday, 14 December 2010

Aleix Plademunt


Check out his wonderful work here.

Tuesday, 9 November 2010

Arrogance attack


For an article that teaches you how to deal with arrogant people.

Sunday, 17 October 2010

Tuesday, 28 September 2010

To divorce or not to divorce



For Flair magazine.

Saturday, 25 September 2010

Sunday, 19 September 2010

poodle soup's favourite movie title sequences

'Catch me if you can', designed by Olivier Kuntzel and Florence Deygas. Wonderful illustration, yummy typo accompanied by a sweet & exciting John Williams tune. So good.




'Up in the air' by Shadowplay studio (the same folk that made the opening sequence for 'Thank you for Smoking', also a good one). Simple and elegant with timeless aerial photography, clean typo and a zesty 'This land is your land' cover by Sharon Jones and the Dap Kings.


Bond movies traditionally have rocking opening title sequences, but 'Goldfinger' might just be my favorite. It's classic Bond: simple, elegant & thrilling. And, as far as opening songs to Bond movies, Shirley Bassey can't be beat.



'Barbarella', simply because no-one can sensually strip out a space suit in zero-gravity like Jane Fonda can. Watch it here.



'Seven', by Kyle Cooper. It looks a bit dated now, with all the layer work and the scratchy-scribbly typo, but back in 1995, it was thrillingly innovative. For me, it was a definite kick in the butt, sparking my aspiration to become a graphic designer. The reason why it lost its original impact, is simply because it has been copied a gazillion times ever since.